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	<title>Spencer Nunamaker</title>
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	<link>http://www.spencernunamaker.com</link>
	<description>Spencer Nunamaker&#039;s Music!</description>
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		<title>Cubase Film Scoring</title>
		<link>http://www.spencernunamaker.com/general/cubase-film-scoring/</link>
		<comments>http://www.spencernunamaker.com/general/cubase-film-scoring/#comments</comments>
		<pubDate>Sun, 25 Dec 2011 16:03:28 +0000</pubDate>
		<dc:creator>Spencer</dc:creator>
				<category><![CDATA[general]]></category>

		<guid isPermaLink="false">http://www.spencernunamaker.com/?p=757</guid>
		<description><![CDATA[Here are detailed instructions for scoring a film in Cubase. I have included an 8 page PDF guide, my custom Key Commands file, and also a working scoring template from which to get started. Film scoring is effortless in cubase, a real treat. I created this hoping I could help people out. Please do not [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Angry Birds &#8211; Main Theme</title>
		<link>http://www.spencernunamaker.com/general/angry-birds-main-theme-piano/</link>
		<comments>http://www.spencernunamaker.com/general/angry-birds-main-theme-piano/#comments</comments>
		<pubDate>Sat, 30 Jul 2011 19:35:21 +0000</pubDate>
		<dc:creator>Spencer</dc:creator>
				<category><![CDATA[general]]></category>

		<guid isPermaLink="false">http://www.spencernunamaker.com/?p=679</guid>
		<description><![CDATA[Grr, don't you just hate those "fowl" pigs?? All you want to do is just smash their poorly constructed buildings with various types of birds! Anyway, I have a little gift for all of you "Angry Birds" fans: the proper sheet music for piano! Now including FINGERINGS! Impress your friends and share! Download below. &#160; [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>L.A. Noire &#8211; Main Theme Piano</title>
		<link>http://www.spencernunamaker.com/general/l-a-noire-main-theme-piano/</link>
		<comments>http://www.spencernunamaker.com/general/l-a-noire-main-theme-piano/#comments</comments>
		<pubDate>Sun, 05 Jun 2011 23:04:08 +0000</pubDate>
		<dc:creator>Spencer</dc:creator>
				<category><![CDATA[general]]></category>

		<guid isPermaLink="false">http://www.spencernunamaker.com/?p=657</guid>
		<description><![CDATA[Isn't LA Noire great? A special treat is when you fire up the disc in your Playstation 3 (xbox too?) and when you hover over the game the main theme plays in a beautiful piano arrangement.... Well, sadly when you search for "la noire main theme" this is unavailable. Also, this recording is not on [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Upper-structures for modal hybrids</title>
		<link>http://www.spencernunamaker.com/general/upper-structures-for-modal-hybrids/</link>
		<comments>http://www.spencernunamaker.com/general/upper-structures-for-modal-hybrids/#comments</comments>
		<pubDate>Sun, 02 May 2010 20:44:35 +0000</pubDate>
		<dc:creator>Spencer</dc:creator>
				<category><![CDATA[general]]></category>

		<guid isPermaLink="false">http://www.mooquu.net/?p=324</guid>
		<description><![CDATA[Here, in the spirit of my previous article on modal tensions and avoid notes, I will briefly map out the upper-structure triads you may use for modal hybrid chords. Chord Scale Hybrids: Ionian: V Dorian: II- (weak), V-, and VII Dorian 7th chords: II-7, VIIMaj7 (good for dorian I-) Phrygian: bII, bVII- Phrygian 7th chords: [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Film Composing &#8211; The Composer&#8217;s Schedule</title>
		<link>http://www.spencernunamaker.com/general/film-composing-the-composers-schedule/</link>
		<comments>http://www.spencernunamaker.com/general/film-composing-the-composers-schedule/#comments</comments>
		<pubDate>Thu, 21 Jan 2010 03:57:22 +0000</pubDate>
		<dc:creator>Spencer</dc:creator>
				<category><![CDATA[general]]></category>

		<guid isPermaLink="false">http://www.mooquu.net/?p=272</guid>
		<description><![CDATA[Creating the underscore for a film can be a very time-consuming endeavor. The time frame for production isn't really set in stone, rather, it's more relative to the production of the film itself. I'm sure it's no surprise to anyone that movies get delayed all the time, nor should the reasons why escape anyone. Since [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Melody/Melodic Writing</title>
		<link>http://www.spencernunamaker.com/general/melodymelodic-writing/</link>
		<comments>http://www.spencernunamaker.com/general/melodymelodic-writing/#comments</comments>
		<pubDate>Thu, 10 Dec 2009 23:02:03 +0000</pubDate>
		<dc:creator>Spencer</dc:creator>
				<category><![CDATA[general]]></category>

		<guid isPermaLink="false">http://www.mooquu.net/?p=249</guid>
		<description><![CDATA[Here at Berklee, the way I think is constantly being challenged and altered. One aspect that has recently broken through in my consciousness is melodic writing. I've long been interested in orchestration, yet found getting an authentic orchestral texture quite challenging. Reading Rimsky Korsakov's "Principles of Orchestration", many things have all clicked together and it [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Music Theory &#8211; Modal Tensions</title>
		<link>http://www.spencernunamaker.com/general/music-theory-modal-tensions/</link>
		<comments>http://www.spencernunamaker.com/general/music-theory-modal-tensions/#comments</comments>
		<pubDate>Fri, 02 Oct 2009 06:37:09 +0000</pubDate>
		<dc:creator>Spencer</dc:creator>
				<category><![CDATA[general]]></category>

		<guid isPermaLink="false">http://www.mooquu.net/?p=219</guid>
		<description><![CDATA[Here is a brief list of musical tensions by mode, which are considered a logical extension of tertiary harmony.Tensions are referred to by a "T" and next to it would be it's related interval based on the scale/mode. Example; the 2nd degree of a C Major scale (Ionian mode) or the note D, would be [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Propellerhead&#8217;s Reason 4 &#8211; Top Ten Tips and Tricks</title>
		<link>http://www.spencernunamaker.com/general/propellerheads-reason-4-top-ten-tips-and-tricks/</link>
		<comments>http://www.spencernunamaker.com/general/propellerheads-reason-4-top-ten-tips-and-tricks/#comments</comments>
		<pubDate>Thu, 10 Sep 2009 10:30:15 +0000</pubDate>
		<dc:creator>Spencer</dc:creator>
				<category><![CDATA[general]]></category>

		<guid isPermaLink="false">http://www.mooquu.net/?p=152</guid>
		<description><![CDATA[Hello again everyone, and welcome back to my series on Propellerhead's Reason 4. In this article I'm going to talk about my Top Ten general tips and tricks to navigate Reason 4 more efficiently. When I was first struggling to grasp the scope and utility of this truly comprehensive environment, I scoured the web night [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Getting Comfortable In Propellerhead&#8217;s Reason 4</title>
		<link>http://www.spencernunamaker.com/general/getting-comfortable-in-propellerheads-reason-4-part-one/</link>
		<comments>http://www.spencernunamaker.com/general/getting-comfortable-in-propellerheads-reason-4-part-one/#comments</comments>
		<pubDate>Sun, 06 Sep 2009 14:08:14 +0000</pubDate>
		<dc:creator>Spencer</dc:creator>
				<category><![CDATA[general]]></category>

		<guid isPermaLink="false">http://www.mooquu.net/?p=62</guid>
		<description><![CDATA[A Brief Introduction I first was introduced to Propellerhead's Reason 4 oddly enough at the conservatory I was attending in Miami for classical guitar performance. I was taking a creative writing class and my wonderful professor Dr. Joann Falco-Leshin challenged the class to create an interactive website for the poetic and literature content we would [...]]]></description>
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		<slash:comments>0</slash:comments>
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